Neville Brody
known for his work on The Face magazine (1981–1986)
Brody's experimentation with his self-made sans-serif
typography, along with his Pop Art influence, caught the attention of music
record companies such as Fetish Records after he left college. His CD covers
leads toward a grudgy and a punk scene.
With The face magazine, he changed up the "basic"
and "structural" rules that existed in the British culture into a
more artsy and vibrant aesthetic. His designs provoked some form of emotion to
the extent that people would stick to one page instead of turning pages like
they would normally do when reading a novel
David Carson & the grunge aesthetic
He is best known for his innovative magazine design, and use
of experimental typography.
He was the art director for the magazine Ray Gun,
in which he employed much of the typographic and layout style for which he is
known. In particular, his widely imitated aesthetic defined the so-called
"grunge typography" era
In one issue of Ray Gun, he notoriously used Dingbat, a font
containing only symbols, as the font for what he considered a rather dull
interview with Bryan Ferry
I like both Brody and Carson’s work. I think it’s a step in
a good direction and really changes up the modernist and postmodernist
aesthetic whilst incorporating aspects of British punk in terms of texture. I think
both of their work is very much about layering and aids how and audience reads
the text. It also uses the idea of figure and ground to help shape visual
perception.
I would very much be interested in creating something in
their style of work – probably more Carson’s- and see what I can achieve
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